Blondes have more puns

Hmmmm. Do I detect a bit of innuendo here?


Of course, what else would you expect from the company that introduced the first one-step home hair-color formula five years earlier with this memorable teaser:


The 1969 ad at top, for a coloring formula with deceptive but irresistible name, "Born Blonde," foregoes that coy innuendo of an earlier era for a more leering come-on befitting the late-'60s sexual revolution (complete with the faux-psychedelic typeface of the free-love generation). As Wikipedia explains,
"In contemporary popular culture, it is often stereotyped that men find blonde women more attractive... Anita Loos popularized this idea in her 1925 novel, "Gentlemen Prefer Blondes."
(And of course, it helps when the film adaptation of said novel starred Marilyn Monroe.)

Clairol took that idea of the special appeal, and really ran with it, with headlines like "If I have only one life, let me live it as a blonde." and this one, which, later switched to a declarative sentence, remains embedded in our popular culture: "Is it true blondes have more fun?"

(By the way, that's '60s supermodel and '70s TV actress, Susan Blakely, in the paisley scarf -- a natural blonde apparently, but never mind. You can see a video retrospective of her modeling career and other ads she appeared in here.)

Comments

Paul Duca said…
Just discovered your site, thanks to your comment on Ken Levine's. I see myself coming here often.

Don't forget, it was a woman copywriter, Shirley Polykoff, who coined both "Does She or Doesn't She?" and "Only Her Hairdresser Knows for Sure"

Also...when LIFE magazine resisted publishing a "Does She" ad, Clairol challenged them to prove their claims of salaciousness. The magazine put the ad before a review board. None of the women on it felt it had sexual overtones, but all the men did
(LIFE ultimately ran the ad).
November 29, 2010 at 6:06 AM
Post a Comment

Popular posts from this blog

TV star skewers Minneapolis advertising egos

Image
"Greetings to all you shameless hucksters and flim-flam men!" So began the opening remarks by host of the 1987 awards show for Minneapolis advertising. As the writer for the ceremony, I was responsible for his script, as well as the introduction for his surprise appearance: We asked ourselves … what person exemplifies the prestige and high standard of excellence for which this show is renowned? What person was secure enough in his or her own fame to share the spotlight with a series of commercials and print ads? Finally, what person possesses both a sense of humor and a sophistication to make the presentation vibrant and entertaining, yet respectful of the advertising it honors? These were the questions we asked ourselves. Unfortunately, we couldn’t come up with any answers, so we asked a couple more questions: Who was available? And who could we afford? Ladies and gentlemen, join us now in welcoming our host for the evening … national celebrity … television star … and the an
Read more

Not just hyperbole

Image
Maybe you've seen this classic Guinness poster, created back in the '30s and assumed that it was nothing more than silly hyperbole: And you'd be partly right. The idea is actually based on the high iron content of Guinness (probably from the water used), though of course, the benefit of this is exaggerated to an unbelievable extent in the poster above. That didn't stop the image from becoming so iconic that a pint Guinness became known as a "girder." The image also inspired this parody from Heinekin some 40 years later (though its likely that many young drinkers never realized its source), that both fit the idea into its own ad format and made the male sexual subtext even more implicit: (Best not to take any of this too seriously, though. In reality, the pictures in the Heinken ad would have to be reversed.)
Read more

Lois and Ogilvy on The Big Idea

Image
As a panelist on a TV talk show, ad man and creative revolutionary George Lois was once asked to define advertising. After listening to the more scholarly definitions offered up the other ad execs on the panel, George commented, “I think these guys and me are in a different business,” and offered a more blunt, visceral definition.    Lois:  “Advertising is poison gas. It should bring tears to your eyes. It should unhinge your nervous system. It should knock you out.” 1   That’s George in a nutshell. Visceral. Bombastic. But in a less provocative mood, he summed his approach up this way:    Lois:  “The common denominator of all my work is the unremitting quest for The Big Idea, because The Big Idea – a surprising solution to a marketing problem, expressed in memorable verbal and/or graphic imagery – is the authentic source of communicative power … [and] picks up force and speed because its element of surprise changes a habit or point of view.” 2 He capitalized the term quite intentional
Read more